Street Photography with a Tripod

I’m a bit out of my element in an urban environment but as generalist photographer I do not shy away from such settings if I have the opportunity. Such was the case when I joined two friends for a street photography workshop in Central Havana with Dan Callis.

Malecón (officially Avenida de Maceo) Seawall with fishermen silhouetted against the Vedado neighbourhood. 1/15@f20

Malecón (officially Avenida de Maceo) Seawall with fishermen silhouetted against the Vedado neighbourhood. 1/15@f20

Street photogrphy in central Havana- Calle Escobar with dawn streetlights

Street photography in Central Havana- Calle Escobar with dawn streetlights. ½ s@f5 ISO 1600

Iglesia San Francisco de Paul - Stained glass interior

Iglesia San Francisco de Paul – Stained glass interior 1/30@f16 ISO 200

Street photogrphy in central Havana-

As morning progressed, doors opened to building interiors. 1 s@f16 ISO 400.

I was the only one in the group who used a tripod for the majority of the work that week but I thought I was able to acquire unique images that would not be easy or possible if I was handholding the camera. Certainly with image stabilization and better quality at higher ISOs handholding has become more the norm.

Street photogrphy in Old Havana- reflections in a water puddle

Street photography in Old Havana- reflections in a water puddle. 1/80@f18 ISO 400

Street photogrphy in central Havana- Painted wall detail

Painted wall detail 1/4s@f16 ISO 125

While having the camera mounted to my tripod (Gitzo carbon fiber) added some weight, reduced mobility when working a subject and made me more conspicuous in the street I still felt it was the right approach for me. I carried accessories and lenses in my trusty photo vest and felt pretty comfortable for the week in the streets of Havana. It was a fantastic experience, full of colour, atmosphere and friendly people.

Bicycle taxi and colourful building, panning with camera. ½ s@f16 ISO 100

Bicycle taxi and colourful building, panning with camera. ½ s@f16 ISO 100

Here are some of the advantages to using a tripod in the streets:

  1. Once I picked my spot for composition I could ‘fade into’ the background and wait for situations to develop. That could be as simple as waiting for someone to walk into the composition or wait for distracting elements like people or vehicles to move on. While I was initially conspicuous the local people quickly ignored my presence and I could photograph the scene using a cable release so I would remain inconspicuous.
  2. By precisely framing the composition I could make more than one exposure as people moved if I thought it would be better to be able to clone them out in a composite image.
  3. I was able to work at lower ISOs and at longer exposures, in the shadows, in interiors, at night and early morning.
  4. I could set up my composition and wait for peak moments of activity.
A lady peeking through a curtain and security fence. 0.6 s@f11 ISO 800

A lady peeking through a curtain and security fence. 0.6 s@f11 ISO 800

Trained dog on the Obispo promenade with passersby. 1.6 s@f22 ISO 100.

Trained dog on the Obispo promenade with passersby. 1.6 s@f22 ISO 100.

I waited for passersby with umbrellas to walk through this scene. 1/10 s@f16 ISO 800

I waited for passersby with umbrellas to walk through this scene. 1/10 s@f16 ISO 800

Revolutionary wall art with blurred pedestrian. 1/13 s@f18 ISO 640

Revolutionary wall art with blurred pedestrian. 1/13 s@f18 ISO 640

Wall mural on Calle Neptuno with pedestrians cloned out (composite of 3 exposures)

Wall mural on Calle Neptuno with pedestrians cloned out (composite of 2 exposures)

Maybe I missed some spontaneous shots but I think I got photos that fit my style that otherwise would not have been able to capture hand-held. The tripod is not just a useful tool for obtaining sharp images, it is also a useful compositional tool.